No matter how challenging... Cry Club and Walk Away works and works gloriously.
No matter how challenging... Cry Club and Walk Away works and works gloriously.
Hamilton’s debut single Fade feels like getting caught in a whirlwind from inception to collapse.
The Fifth is an album that deserves to be heard as an album in its entirety. At times euphoric and triumphant, in others daunting and delicate.
No Oath’s Waster punches forward in a style that would have landed the band on the Tony Hawk Pro Skater 2 soundtrack had the game been developed in Australia.
Immediate in it’s intelligence, Tendencies, sounds like the forward facing modern emo of Title Fight or Joyce Manor anchored in a distinct Australian sound and use of language.
Stacked with emotionally aware lyricism from start to finish and a deft musical delivery that flips from rattling to raw on a beat, Fern Town, is an incredibly impressive release.
Lashed full of jangly composition, four to the floor drums and runaway guitar licks, Hospital Gown, is immediately huge.
Bold, ridiculously catchy and an exciting tease for the Morris’ upcoming sophomore album, Premeditations, Turpentine is brilliant.
Flush with gang harmonies, intelligent guitar riffs and commanding drums, My Actual Dad, is start to finish one of the best EPs of the year.
Negative Space is fuzzy, warm and riddled with hooks that will keep you coming back again and again.
An epic of rural Australia, Get On Board, meanders, swells and peaks painting a picture of the seas of land outside our cities.
The mention of Grace Turner in any music circle is usually followed with several riffs from everyone in earshot of “holy shit, she’s so good”.
He’s tall, awkward and dances like your uncle at a wedding, but Voneece is writing some of the finest piano pop in the country right now.
Equal parts refreshing, rewarding and remarkable, Skin, sits as another tell as to why Mere Women have become one of the most well-respected bands in Sydney.
A fist in the air anthem punched full of positivity and pulling it together, Notice Me Senpai, is a hell of a song.
Lyrically loaded with more dread than The Kerrigan Family at the prospect of leaving Coolaroo, Avo Toast and Debt, is a song loaded with the issues that keep you awake at night.
The solo pop project of Ali Flintoff (BOAT SHOW, Dream Rimmy), Denise le Menice dials it back to flex the impressive versatility of Flintoff.
Radar is a three-minute jaunt that pulls no punches and packs plenty of surprises.
At just sixteen, Erelalo (error-la-lo), is one of the most prolific artists to emerge from the nation's capital in 2018. Having released two singles and a debut EP over the first 4 months of the year, it's time to prick your ears up to the expansive pop sounds of Erelalo.